The PSone controller had different shoulder buttons; Genso Suikoden prototype footage from 1994!

So I hear Konami has been quite an asshole lately. The way they mistreatment their workforce, withdrawing from console game production, and the complete, sensational mess that has been the Hideo Kojima divorce. Yuck, a cesspool to be sure.

Let's escape from that to about two decades ago when they were at the twilight years of their dignity. Here's a game that I've hear good things over the years on and off, but have never played. This is Gensou Suikoden.

As an RPG game centered around political struggles in a fictional, fantasy empire, Suikoden was made out of a labor of love from the get-go, starting out as a launch title for an unannounced Konami home console. Very little immediate information about that exists on the internet, but the game, under the imaginatively clever name of "RPG," was in development for a brief time but was moved over to the PlayStation, otherwise codenamed the PSX. A relatively more creative acronym than "RPG," I think. In addition, the script for its sequel was originally used for this game but its creator felt he needed more experience to give it the proper treatment it deserved and instead created a "prequel script" for this game instead. 

In July of 1994 𑁋 about a year and a half before the game's domestic release 𑁋 Suikoden was formally unveiled to players at the V-Jump Festival '94 exhibition in Japan. That's not the only feature in the following clip that was preliminary, though.

We also see a preliminary version of the standard PlayStation controller featuring odd symbols on the shoulder buttons that would later become the numbered R and L buttons.

What buttons are those suppose to say, do you think?

It's rather interesting to see this game unveiled to the gaming public about a year and a half before either the game and console came out. It's thanks to this fact however that we can actually see the early designs for the PlayStation controller. As it is known, the original PlayStation controller went through several dozen iterations before the company settled on its finalized design. The most striking detail seen in are the shoulder button designs on the top of the controller. There are no L or R labeled buttons but instead are some triangle-shaped symbols that I can't make out what they're supposed to be.

Obviously, the controller wasn't finalized at this point in time but it makes clear that Sony Computer Entertainment had provided a 3D console that enabled third-party developers like Konami the confidence they needed to jump onto polygons so soon. Sony lured them into their boat quite well.

Sonic Toon (Sonic Boom: Rise of Lyric) | Weekly Famitsu Issue #1345 (JP) | 9/25/2014

I actually really hated Knuckles' awkward redesign.

Yikes, it's that game. 

Sonic Boom was a catastrophic failure of a game that no one wanted, expected or cared about. As we all know, the damage made to the brand after having it being partially restored to greatness by Sonic Generations (and brought down again by Sonic Lost World) has arguably been done worse than 2006's abysmal Sonic The Hedgehog. A feat that many didn't think was even actually possible, yet it did. Lone wolf game investigator Tamaki has a terrific video of the whole situation over at his YouTube channel.

The Japanese weren't spared of this game either and from the looks of it, they received it better than the rest of the western hemisphere did, at least under Famitsu's reviewers (this was the same magazine that gave the original Dreamcast version of Sonic Adventure a soaring score of 38/40, Sonic '06 a 30/40, and Generations a 35/40), so take their credibility with a grain of salt.

So I bought this magazine at a Japanese bookstore in San Francisco's Japantown about a year and a half ago. At first, it was about seeing what cool stuff I'd find about Super Smash Bros. for Wii U / 3DS but then I stumbled upon an article about Boom. Page 232 of Weekly Famitsu Issue #1345 is the article about Sonic Boom. If the language itself won't do anyone any favors, then surely the images - and the characters, Metal Sonic and Shadow (at least his katakana-written name) - may.

It always seemed as though the pre-release material made the game looked
better than it did (but then, that's almost always been the case for video games).
Watching that Game Grumps series has made me realize that.

Higher resolution scan can be found and downloaded here.

It's really too bad at this game ended up the way that it did. I knew that this was a spinoff but I thought it was going to have something rather interesting environmental art style going for it. This game was being made by a developer who formally worked on the Crash Bandicoot series under Naughty Dog so with such credentials it's actually disappointing this project resulted in the mess that was but for all I know, it may have just been a case of publisher-interference on Sega's part. That's never a good thing.

Oh well!

Here's a random proto track and an newly-ripped E3 trailer (@60FPS) from Mega Man X5

Three months!? Gosh, I've been out for a while.

I've been in the mood for prototype/unreleased games again lately. This time, I've taken a listening to a track I've ripped and uploaded on YouTube a year ago, from a prototype version of Mega Man X5 dated May 1, 2000.

The biggest difference to note about this track is in the middle. The first fifty seconds are consistent to the final version, but after that the main verse (or bridge, whatever's the right term for it) becomes different. If you ask me, this version emits the vastness of space much more than the final one (though the stage actually takes place in a planetarium, surprise suprise). Out of all the tracks in the proto, this one is my favorite.

The prototype itself contains a large number of rudimentary elements indicative of its progression into it's final form, all of which you can find them documented at the Cutting Room Floor. The US preview trailer, unveiled at E3 2000 convention in Los Angeles, CA that year, appears to be from this build of the game.

If you want to see the whole VHS rip in it's entirety, you can find it here and reminisce about the old days when Mega Man (and Capcom) was a bigger brand than it is today. 

Let's take a look at the V-Jump build of BIOHAZARD (Resident Evil)

In a time when Street Fighter and Mega Man where the biggest names in Capcom's arsenal of video games in the early 1990s, 3D polygonal games had just begun to be a thing and polygons consisted mostly of origami figures that resembled moving pyramids and stationary chunks of sausage blocks, figuratively speaking. BIO HAZARD, or as commoners call it Resident Evil, would become the company's first bold experiment working with 3D polygons that would pay off in a major way.

Let's set the clock back to late summer of 1995. The PlayStation was already less than a year old in Japan, while BIO HAZARD had been in development for some time already. At this point in time, the game had just moved on from its "co-op" experimentation period (which not much is known about, and if I can even say it was co-op, actually) and into the period where survival was mandatory and isolation horror would shape up the final form it would assume.

On stage, director Shinji Mikami and supervisor Masahiko Kurokawa would present this direction to the silent audience of hundreds at the V-Jump Festival '95 in Japan.

This footage has been around for a long time now and in fact some of you might even recall seeing it on Inflames' website or other familiar locale. For the purpose of preservation (and because I can't stand the quality of the original rip anyways), I've once again taken upon myself to purchase the original VHS source to bring to you remastered footage of the segment in 1080p60.

So the narrative is set in the near-future (for the time of the game's release) of 1998 at the northwest side of the United States where S.T.A.R.S, a police force stationed at Raccoon City, is called in to investigate a series of bizarre murders committed in the outskirts of their city. Upon receiving no word from Bravo team, the team that was initially dispatched the previous evening to find any clues to intercept the supposed killers at the Arklay Mountains, Alpha team arrives swiftly to locate their missing members.

I have an A.A degree in Journalism and I can tell you that that's a
really terrible newspaper headline for a news story.
Not that mine for this blog post is much better.

To their horror, they discover the grisly remains of their compatriots. The vicious dogs responsible for the deaths appear abnormal, and set their eyes and noses on the remaining Alpha members, killing one of them by the neck, and chasing the rest to a nearby abandoned mansion full of zombies and other horrific monstrosities. Now taking desperate refuge inside the establishment are three (six?) remaining S.T.A.R.S members: Chris Redfield, Jill Valentine, and Albert Wesker. They don't know where Barry Burton is or that Rebecca Chambers, who had one hell of an horror fest with an escaped convict the previous night, is somewhere inside. Thanks for leaving them behind, go to hell Brad Vickers.

OK, whatever. Cool story.

*Until REmake came and destroyed every single RE game that
came before it (Electronic Gaming Monthly #80, March 1996).

Upon the unveiling, comparisons were already being made between Resident Evil and the preceding Alone In The Dark, released four years prior. The two share similar horror and gameplay philosophies, but the key difference being that Resident Evil's graphics kicked ass* according to Mikami. He wouldn't be wrong though, it did prove itself as an immersive horror game with an intricate level of graphical detail into the polygon character models and CGI backgrounds even during the advent of the pre-rendered computer graphics craze in video games at the time.

The V-Jump prototype is dated
August 4, 1995.

So onto the prototypical context of the footage itself. First off, only a handful of areas of the first floor mansion are actually playable and the camera positions in some of these areas are drastically different. For example, in one angle, the camera appropriated to the first floor door leading to the first zombie is positioned behind the banister from the second floor (which I find the angle itself interesting, actually). 

Jill Valentine is stands at the front stairs on the first floor of the mansion. She doesn't say much other than "I'll stand watch here." Nothing else. Interestingly, despite her presence in this prototype, Jill isn't actually seen in the embedded footage above. My guess is that in between the aforementioned previous prototype version and the leaked August 4th prototype, her model had just been redone from her previous, implemented design. But that would mean that there had to have been a build of that that existed at some point.

One of the elements I find more interesting is the lack of a finalized set of voice samples for Chris, possibly in Japanese. Presumably, this build was created at a time when the game was still planned to feature Japanese language performances. There's even a set for Jill as well. Take a sample (for more, check out the prototype's page that I sometimes update at The Cutting Room Floor):

Chris:      |     Jill: 

Aside of that, and a snake that shows up from almost out of nowhere at the exit to the garden, there's not much else in the build that provides more of the game than the later protos exhibit. Beyond this prototype, there are at least two more other prototypes (three if you include the Trial Edition) that proceed the progress of the game's development. For now however, the focus is just for this build only. Sometime in the future, I'd like to explore those other builds. If there is a prototype of this game that you'd like for me to explore and document in detail, I'd be happy to.

I'm more motivated to start and complete projects based on the level of demand for their release, and in fact I've invited YouTube users to like this comment I've made about remaking a video about the Japanese dialogue that never materialized in the final game. You can too. Otherwise, hit me up at Google+ or Twitter if you want me to talk about it more.

Watching prototype footage of games are like dreams (NiGHTS Into Dreams...)

Or I don't know, I'm just trying to be clever.

Anyways, one of the best ways of preserving and observing video game prototypical media is collecting footage of them in action on game catalog tapes.

Sega Video Magazine is a good place to start. They're a series of game catalog VHS tapes distributed in Japan by Sega Enterprises that promoted and centered exclusively around Sega's own games and games from other publishers during the Mega Drive and Sega Saturn eras. A lot of these tapes have footage of games that haven't taken their final forms yet, which oftentimes can exhibit strong, interesting differences in the content from the final releases. The spectrum of this can range from minor to extreme.

NiGHTS into Dreams... doesn't really fall on either side, but lies more in the left-side of the middle. The clip below covers the world unveiling of the game that took place inside the Tokyo Prince Hotel on March 27, 1996 in Japan. Following that segment is an on-screen interview with some of the then-most respected developers at Sonic Team within Sega, who were also responsible for Sonic's greatest games ever. Producer and main programmer Yuji Naka, director Naoto Oshima, and co-game designer Takashi Iizuka take screen time to tell us their stories as to how the beginning of development came about. Unsubbed.

Scattered throughout the interview is footage of the game in it's early stages of development, including the first level Spring Valley that has a different level and object layout. Many of the sound effects differentiate from the final and even the music sounds unrefined, particularly The Dragon Made a Loud Scream. Turn on the video annotations and it'll elaborate the specifics to you.

I've said this many times already but Nico Nico Douga is quite the treasure trove of Japanese gaming history, featuring various promotional videos of various games spanning several decades starting from the 80s. I remember that Super Mario Bros. 3 video that was a big hit with proto enthusiasts in 2011 after it was found on NND. Hopefully, someone will be kind and interested to provide a translation of the interview above.

Rockman Neo [Mega Man Legends demo] Analysis Video (With Annotations)

(Originally published at the now-defunct DASH Republic and Tumblr in 2013. Now I'm posting this again, refined, on my own blog because goddamn it I can, that's what.)



At a time when the third dimension was taking over the gaming landscape in the mid-1990s with 3D polygonal-based consoles, 2D-native characters of previous generations were making the leap to 3D, often to mixed results. Franchises like Super Mario, Zelda, Final Fantasy made the jump to 3D and closely followed their 2D gameplay concepts. Mega Man's transition wasn't familiar. 

In what could be called one of the boldest transitions to 3D gaming ever, Capcom completely re-imagined the very core of Mega Man for his first major entry in the world of triangular-shaped polygons and textures. No longer did you select your level on a menu. No longer did you jump and shoot across side-scrolling stages and fight eight robot masters and anthropomorphic robot animals, or fighting evil scientists and rogue reploids. It wasn't gonna be the same Mega Man we knew. Not anymore.

Pictures by GodDamnProtoman.

Ah, hell nah. This was Mega Man Legends. You explored inside abandoned ancient dungeons. You shot at creepy bloodthirsty robots that live in said dungeons. You talked to goddamn talking monkeys and legomen. You live in an airship that crash lands on an island that becomes invaded by pirates who gave you psuedo-Team Rocket vibes. You fought a vaguely effeminate, psychopathic cyborg that wants to invoke a skynet-like apocalypse on humans that aren't even humans but "Carbons." You can kick cans over to a bakery and get free money. You could kick animals if you wanted to. In 3D.

So you have these awesome concepts that don't fit into the traditional Mega Man formula and yet it identifies itself as such. How do you market this game to your core fanbase, and the mainstream at large? Well, you create a demo and you include it in the same demo disc of a highly-anticipated sequel to your biggest-selling PlayStation game, with the director's cut release of that game in Japan. Enter Rockman Neo.

Capcom included this demo in the second disc of first edition copies of the Japanese version of Resident Evil: Director's Cut in 1997. The video above demonstrates the several major differences in gameplay, audio and visual content in this pre-release that the annotations in the video will elaborate over.

Mega Man Legends went through many name changes in its development. First, Rockman Neo in Japan, whereas the English name would officially be known as Mega Man Neo when it was showcased at E3 1997 in Atlanta, Georgia; followed by the final Japanese name Rockman DASH. Mega Man Nova (really?) was a likely candidate before someone at Capcom USA or Japan recalled a boring lecture from their astronomy classes in school and figured how lame the name sounded, and finally settled upon... you should know by now.

Yes I know its 35 minutes long (!) but it's full of information, tons of beta facts, and fun stuff that supplements background to this demo. Plus, there's references to TauVertex's Mega Man Legends Abridged series. So take a seat and enjoy all the juicy details this demo has!

If you're even more interested in Rockman Neo, you should check out the Rockman Neo page give at The Cutting Room Floor! Lots of fascinating material found inside the games you thought gave you everything it offered!

Prototype Time! | Mega Man Legends 2 (English Debug Prototype)

Last March, Protodude approached me with a few Mega Man prototypes he had on his possession. The first was a proto of Mega Man X5, the third being a "late"-English localization build of The Misadventures of Tron Bonne circa months before it's North American release, and the second in-between...

...an English debug prototype of Mega Man Legends 2, dated July 12, 2000. This was by far, surprisingly, the most interesting of the three Mega Man prototypes that Protodude shared to me behind closed doors. I held onto this for a while before it was leaked onto the net, mostly due to video production reasons and to start writing a page for this at the The Cutting Room Floor.

So wait, wait, wait. What exactly does "debug" mean? What is it for and why should we care about this, aside of serving as a view of the game's development?

So (to my understanding) debugging basically means to look for bugs, meaning any defects, in the whole game's programing and fixing them all of them as much as possible. This particular debugging prototype was used to assess the programming of the game during Rockman DASH 2's localization process into Mega Man Legends 2.

This guy did WHAT to Spider-Man?!

Oh dang, one month? Yikes. I hate working retailer with randomized schedules.

The face of a rabid rapist.

If there's one reason I love playing Capcom's fighting games.  They're a blast to play with the bizarre variety of characters and the insanity these characters enable with their super-hyper-variable-attack whatever moves.

To over it briefly, Norimaro is this Japanese sketch character created by comedian Noritake Kinashi who, in the game, represents neither Marvel or Capcom but of the Japanese Nippon TV channel in Japan. He appears as a regular playable character exclusively in the Japanese arcade and console versions of the game, but was removed in all the overseas releases despite most of his taunt text being translated into English. 

A few years ago, I stumbled upon this video on Nico Nico Douga of Capcom staff introducing Norimaro to Japanese TV viewers in the Japanese version of Marvel Super Heroes vs. Street Fighter. In this segment, Norimaro performs a... questionable attack on a hapless Spider-Man. Just see with your own eyes.

What he's doing is a kancho, a Japanese prank that involves putting your index fingers together and sticking them up someone's ass, usually on friends. So now that you that fairly useless detail, please do not perform this in public. You'll probably be thrown in your local area's sex offender registry at the very least. 

What should be noted however, is that this particular move was actually removed from the final version of the game. Word of hearsay goes that a Marvel representative had seen this build and furiously demanded its immediate omission. I'm not really finding any concrete sources that validate this report, but you can bet in the event that I do I'll immediately update this post with the full scoop.

Needless to say, he's probably the only reason I'd play ever play Marvel Super Heroes vs. Street Fighter.

Old prototype footage of Sonic Adventure (Dreamcast) running at 60FPS looks totally unbelievable

As the Sega Saturn console was in its twilight years, players were bummed-out that they didn't get a major Sonic game for the ill-fated console until the next-generation. Then in August of 1998, Sega dropped the bombshell and announced Sonic Adventure, the long-awaited 3D installment of the then-dignified Sonic franchise, as a launch-window killer app title for their upcoming Dreamcast console to be released at the end of 1998 in Japan. Enticing gamers worldwide, the game offered impressive graphics with high-resolution graphics and a fluid sense of speed that was almost uncontested for the time. And at 60fps, too.

"Hold up, 60fps?," you might be asking. Yes, Sonic Adventure was originally rendered at a higher frame-rate than it ended up being. The earliest footage of the game, shown at the Tokyo International Forum public unveiling in August of 1998, had shown the game to run at that frame-rate. As we can see from the footage of the unveiling seen in the one-off VHS magazine Fuse, we can clearly see how unbelievably fluid the game's motion is at this game's prototypical stage. Or was, I should say. If you guys would see it in action, I think you’ll get a kick out of it.

This early prototype footage exhibits the game originally ran at 60FPS, the level highlighting the game, we see, is Speed Highway. It looks particularly impressive given the time this game was unveiled. Its really a shame they had to had the drop the frame-rate down to 30 for the final Dreamcast version. 

What's interesting to note is that the AutoDemo isn't necessarily running at a much higher frame-rate than the final or the Forum build. So by that point, the frame-rate had already been dropped by the time the demo was made. Another interesting tidbit, if you noticed even Sonic's jump momentum seems different when he bounces on those enemies on Speed Highway.

Honestly, I wondered if this was a whole other game altogether. The game's original frame-rate at this stage of development makes it look more polished compared the final version. While the rest of the footage around the Speed Highway stage is less than 60FPS, I believe that that footage was actually edited deliberately to reduce the fluidity of the motion. Why that's the case, who knows.

But yeah, Sonic Adventure. What a time to be nine years old and seeing a 3D Sonic game in action on then-powerful hardware. Good times. 

Scans: Resident Evil: Gun Survivor (PlayStation) + Review Score | Famitsu PS Issue #76 (JP) | 2/11/2000

Front Cover of Famitsu PS Issue #76

I'm a fairly big fan of old-school Resident Evil. Anyone remember that spin-off that came out for PlayStation in 2000, where you're actually controlling your character in a first-person viewpoint without any pre-rendered backgrounds? I didn't. I never cared about the spin-offs but some fans do, and its those fans I have a treat for tonight.

Issue #76 of Famitsu PS contains both a six-page strategy guide and a scored review of the critically-panned light gun shooter Resident Evil: Gun Survivor. Along with a reprinted review of Resident Evil 3 from an earlier issue of Famitsu PS, there are also other articles of Resident Evil: Code Veronica and the Nintendo 64 port of Resident Evil 2.

Tonight's focus will be Gun Survivor however and once again I do not provide translations.

So let's go over this quick. Pages 32 to 37, starting from the left at the top row to the right and following that same orientation on the middle and bottom, are just strategy guides with supplemental maps and enemies of the game.

Review Scores
(Click to enlarge)

The common format for Famitsu reviews are presented in a four-score column with four reviewers in a row providing their scores, individually. On page 39, Gun Survivor scored a 8, 6, 6, and 5, totaling 25 out of 40.

The average-level scores given by Famitsu PS' reviewers do reflect the same overall attitude toward the game at the time of it's release. It actually got a lot of venom from many publications, particularly from Game Informer who called the game one of the worst horror games ever made. Interestingly, Weekly Famitsu scored the game six points more than its PlayStation-specialized publication. How interesting indeed.

Page 39

I've never played so I didn't care much for scanning these articles at first. But I figured, I should just archive and scan all Resident Evil content from this magazine for the sake of archiving (I'd be happy to look into other games that I haven't scanned and released on my blog too).

Having just sampled a video of the game in action though, it does have that consistently dark, industrial atmosphere of Resident Evil 2 that I adore so much. Maybe I'll give it a try myself sometime.

Coming up next are scans of magazine coverage for Code Veronica, the Nintendo 64 version of Resident Evil 2, and a review of Resident Evil 3.

Scans: Resident Evil Zero (Nintendo 64) | Famitsu PS (Japanese) NO. 81 | 5/12.26/2000

Oops. This article was meant for yesterday, and I was working on it then, but time management is a skill I have a lot to improve upon. But here it is, a scan about Resident Evil Zero as it was meant for on Nintendo 64.

Ignore the Japanese text below Rebecca, that's just part of a copyright notice
in another part of the page that is little to do with the game.

Anyways, page 148 of Famitsu PS (Japanese) NO. 81, 5/12.26/2000 gives a small column of their Capcom page about the Item Box function in the game -- or rather, lack of. The ability for your character to drop items in any room, was evident in this version, and the column specifically refers this to Sweet Home's inventory system. Having never played this game personally, I have no clue as to how much both game's have in common (besides the series' roots to the Famicom game).

For those that need a little context, Zero was a prequel to the hit survival-horror franchise that was meant to be the game that carried the same level of ambition and quality its CD-based predecessors had onto a small-capacity Nintendo 64 cartridge. The N64 port of Resident Evil 2 cemented that probability in late 1999. But that's not to say things would go smooth for this title.

Basically, while the game had a much less chaotic development cycle compared to previous entries, the only major roadblocks for Zero were basically both the memory capacity limitations and the timing of its projected release date. The game was simply becoming too big to fit into a cartridge and the hardware transition from the Nintendo 64 to GameCube was fast approaching. The only logical solution was to adapt to then-upcoming sixth generation, and release the game as a GameCube-exclusive in 2002.

As with many of the Japanese I will be posting on The Game Informant, let's hope someone plucky will be willing to translate this article and enlighten us the details of this column. The front cover and entire page can be found below.

Coming up next, I'll post up more scans other some other Resident Evil games from this era of gaming. Stay tuned!

Front Cover of Famitsu PS
NO. 81 | 5/12.26/2000

Page 148

Scans: Sonic 3D Blast (Saturn) | Dreamcast Magazine (Japanese), Volume 6 | 12/25/1998

So shortly after the Sonic Adventure AutoDemo was released early last summer by Orengefox at Sonic Retro, I bought this magazine on eBay. It's got lots of info on that game, plus coverage of Shenmue's Nov. 1998 unveiling in Japan, and other awesome games, but this article concerning the former is what motivated me to write about this.

The article covers the Saturn version of Sonic 3D Blast that was released much earlier in North America and Europe than it arrived overseas. Interestingly, this game wouldn't be released in Japan until October 1999, alongside the International version of Sonic Adventure. As we can see, the release date is given as "'99 (to be decided)." Since that Saturn port was already released internationally years prior, there isn't anything prototypical seen in the screens of this article.

What is interesting though, is apparently in the last page of the article is a sort of mini-interview with a Japanese developer of 3D Blast, or someone of significance to the game. 

I hope by posting this on my blog that someone would be willing to translate this article and enlighten us on the development of this game, from the Japanese perspective.

Coming up tomorrow, I have an overdue proposition that I've yet to fulfill. It's related to scans of a Resident Evil Zero (Nintendo 64) article that I've promised on Tumblr but haven't delivered on. Stay Tuned!